Thursday, January 30, 2014

Polar Expedition Journals

Post & Lesson Contributed by Ally Bernstein, Teacher Assistant


Expedition Journals
Traversing Oak Park on an extremely chilly day can feel like a journey, but it’s nothing compared to the travels of Ernest Shackleton! Today’s lesson on extremely cold environments involved some research, a lot of imagination, and a ton of delight.


"You Wouldn't Want to be a Polar Explorer: An Expedition You Would Rather Not Go On"

We read a fun book* about Ernest Shackleton’s daring expedition to the Antarctic on the ship Endurance. Shackleton and his crew were stranded by ice floes, and it took him many long journeys to reach Elephant Island (an inhospitable island) and South Georgia, where they sought help. Amazingly, not a single human life was lost on this journey – but it didn’t sound fun! Frostbite, hunger, cold and storms all threatened Shackleton’s crew. But he persevered and, with a lot of ingenuity, was able to seek help for his shipwrecked men.

*You Wouldn't Want to be a Polar Explorer: An Expedition You Would Rather Not Go On by Jen Green


Lucy with her journal ready to go!

We created our own expedition journals, using accordion books that we created ourselves using paper and cardboard. These beautiful little journals were perfect for writing down tales of our imagined exploits. Students were encouraged to create a fantasy trip to the Arctic (the North Pole, think polar bears) or Antarctica (the South Pole, think penguins).


Lucy's completed expedition journal

The level of creativity and care that students took to craft their expedition journals was impressive. Students wrote about floods of penguins, strange organisms dwelling at the bottom of frozen lakes, animal encounters and more. Beautiful illustrations made the journals feel convincingly real. Thankfully, we did not need to make an actual treacherous expedition to a polar area – we could rely on our imaginations to take us there instead! 


From left tot right, Joseph, Ben and Theo making the covers to their expedition journals

Norah, (front) and Joel, (back)

Jackson

Joseph

Emily, with animals from both polar regions

Emily, 1st and 2nd page entries

Emily, 3rd and 4th page entries

Jackson, aerial view of the land and sea

Norah's journal with illustrations of all the wildlife encountered on her journey

Shlok, making notes about ermines and penguins

Emory adding entries to his expedition journal

Emory's journal: day one: drawing of the ship with science lab below

Emory's journal, day one, continued, documenting his arrival

Ethan with completed journal

Theo and a panoramic illustration of a narwhal (see close-ups below)

Theo's narwhal and squid, left side

Theo's narwhal, turtle and fish, left side
 
Theo's travels on the reverse (part 1)

Theo's travels on the reverse (part 2)

Dexter's amazing journey to Lake Vostok, documenting a flood of penguins on Day 2

Dexter: Day 3, drilling and a swim with the penguins; Day 4, discovers Spiduchai

Dexter: Day 5, More Spiduchai holes discovered; Day 6: Finds New Species "Cragonite"

Dexter: Day 7, finds huge Triops; Day 8 Adds "Grasri" to the list of discoveries

Ms. Bersnstein's journal (top)

Ms. Bersnstein's journal (bottom)

Thursday, January 23, 2014

Sculpture and Juxtaposition


Hi Families,

For this lesson on sculpture, Ms. Bernstein led the class in a collaborative installation project. Our first order of business was to discuss the idea of juxtaposition in depth.  Students discussed the idea of juxtaposition between material, art, color, shape, size and texture. We looked at work by artists such as Nina Katchadourian and Yoan Capote as examples of how pairing things that are different can create tension and interest in an artwork. We also looked at yarn bombing (knit pieces attached to trees, benches and other outdoor objects) as an example of how texture and color can brighten and enliven an urban space.

Peyton's completed form

The students' project was inspired by yarn bombing and the idea of juxtaposition in a sculptural piece. Our materials were simple: we began with colorful yarn, the rings from ice cream container lids, tape rolls, and broken hangers (graciously donated by Ms. Hayes, Beye's beloved substitute teacher and textile designer). Some of the lids were configured as simple looms for students who wished to weave. Students were also invited to wrap and stretch yarn, keeping in mind the idea of contrast between material, color and form.

Carson first "finger knitted" with yarn to create a more dimensional weaving!

Heidi's woven form

After diving in with the materials at hand, students began to incorporate more unusual material in their work, to add textural contrast and unexpected moments. Pipe cleaners, recycled plastic, tulle and other textile "scraps" were soon added to each piece. As the pieces became more dimensional, each student's creation became different in tone.

Shlok at work with circular and oval elements

Emory combining shapes to form new shapes, both positive and negative

As students finished wrapping, weaving, tinkering and tying, Ms. Bernstein collected the pieces, which are now installed on the 2nd floor landing just above the auditorium. Please stop by some time to enjoy this curiously beautiful collaborative sculpture!

Joel and Elijah's collaboration

Wislon, wrapping yarns

Lucy with wrapped sculptural element

Peyton at work

Jackson with a random weaving of materials

Ginger's wrapped disk

Jessica at work

Anika's completed form

Jadon's completed form

Elise (we think her color selection looks familiar : )

Jadon with 2nd form with a focus on negative space

Emory's completed form

Monday, January 13, 2014

Rex Ray Inspired Collages


Post Contributed by Jocelyne Adkins and Ally Bernstein

Hi Families,

This week our projects are inspired by artist and graphic designer Rex Ray, whose graphic works are graceful, elegant and enticing. As an introduction to Ray's work, we shared select images from the publication "Rex Ray, Art + Design", Chronicle Books, 2007. In an essay from the book written by Michael Paglia, Ray's work is described as "a stage for nothing other than a pleasing arrangement of shapes and colors".


Book Cover, detail of Parachute (Study 3) 2001

And it because of Ray's pleasing arrangement of shapes and colors that we were excited to introduce his work to our students. Many of the shapes that appear in Ray's collages have been influenced by 1950s and 1960s modernism. The shapes are fluid and organic and bring to mind dripping water, flower petals, leaf shapes and other plant life, stones, and more. From simple collages to complex paintings and graphic designs, Ray's work is, in a word ~ beautiful!


Rex Ray, "Untitled Collage  #1653 2002"

In his collages, Ray employs the slick pages of fashion magazines, from which he cuts his signature shapes to create abstract compositions. These in turn, may inspire his more formal collages on wood using his hand painted papers. Visit Rex Ray's Collages on Wood to view Ray's style and to see how it permeates his vast body of work.


Rex Ray, Untitled Collage

For today's project, we introduced specific Rex Ray collages and paintings. Two of the collages that caught our eye consisted of large, floating shapes holding a bevvy of smaller pieces. Many students likened the work to bowls, holding beautiful and strange pieces. These curious pieces, on closer inspection, resembled paper remnants surrounding a negative shape cut out from it's source.



Rex Ray "Untitled Collage #0238"

Inspired by Ray, and using the concept of a vessel or bowl as a launching point, we asked students to create a container or bowl shape and to find pieces of collage papers within our scrap paper bins that caught their eye in regard to color, shape, texture or pattern. We then asked them to fill their "bowls" with these tiny paper treasures.


Rex Ray, Untitled Collage

The results are colorful and delicious! Each student interpreted the project in a very individualized way. Some of the work has an architectural feel, while other collages are more literal, calling to mind a fragrant bowl of noodles or soup. A few collages reference the first shoots of spring and others are delightfully playful.  We invite you to take a look below. To view this work in person, our display is on the main floor along the west wall, just outside the office.


Chan
Yeoeun

Ethan

Xantal

Carson

Theo

Yinka

Joey

Heidi

Joseph

Leila

Shlok

Cassie

Jadon

Ginger